Journal of Cyberspace Studies

Journal of Cyberspace Studies

From internet memes to TikTok challenges: A multimodal content analysis of common patterns in sociocultural representation within digital culture

Document Type : Original article

Authors
1 Department of Sociology, Deh.C, Islamic Azad University, Isfahan, Iran.
2 Department of Communication Sciences, Institute of Humanities, Isf.C., Islamic Azad University, Isfahan, Iran.
Abstract
Background: Digital media have become symbolic battlegrounds for the production and reproduction of social norms. Within this environment, internet memes and TikTok challenges have emerged as pervasive phenomena that are typically examined separately and in isolation from one another.
Aims: This study aimed to integrate and comparatively analyze these phenomena in order to identify their shared socio-cultural mechanisms and functions.
Methodology: The research employed a qualitative approach based on comparative multimodal content analysis using an iterative, theory-informed comparative methodology. The sample consisted of 19 units of analysis (10 memes and 9 challenges), which were purposively selected and coded across four analytical layers: visual/bodily, linguistic, auditory, and contextual.
Findings: The findings showed that despite the fundamental difference in their production mechanisms (memes being based on textual re-contextualisation and challenges on physical reproduction), these two phenomena are organised into five common macro-dimensions: identity construction and group demarcation, emotion regulation and nostalgia, informal resistance and symbolic activism, digital normative laboratory, and attention economy with risk-taking. At the cognitive level, memes have become shortcuts for quick judgements, and challenges have become tools for self-presentation.
Conclusion: The results emphasise that these phenomena are not simply reflections of culture, but rather microscopic machines of norm production that necessitate a transition from traditional media literacy to deep multimodal literacy.
Keywords
Subjects

Burgess, A.; Green, J.; Jenkins, H. & Hartley, J. (2014). YouTube: Online Video and Participatory Culture. 2nd ed. Polity Press.
Burgess, A.; Miller, V. & Moore, S. (2018). “Prestige, performance and social pressure in viral challenge memes: Neknomination, the Ice-Bucket Challenge and SmearForSmear as imitative encounters”. Sociology. 52(5): 1035-1051. https://doi.org/10.1177/0038038516680312.
Castells, M. (2010). The Rise of the Ntwork Society. 2nd ed. Wiley-Blackwell.
Daugavietis, J. (2023). “Communication with internet memes as an essential part of the local scene (at least in Rīga)”. Conference presentation in The Subcultures Network International Conference, Bristol, UK. April 13-14.
Dawkins, R. (1976). The Selfish Gene. Oxford University Press.
Destira, Y.; Hidayat, N. & Sufyan, A. (2020). “A discourse analysis of education memes on Instagram”. Loquen: Jurnal Ilmu Bahasa dan Sastra. 14(1): 48-57. https://doi.org/10.32678/loquen.v14i1.3214.
Eryc, E. (2022). “The impact of Tik-Tok use on self-expression by Generation-Z users”. Journal of Information System, Applied, Management, Accounting and Research. 6(4): 921-927. https://doi.org/10.52362/jisamar.v6i4.956.
Fiske, S.T. & Taylor, S.E. (2013). Social Cognition: From Brains to Culture. 2nd ed. Sage.
Goffman, E. (1959). The Presentation of Self in Everyday Life. Doubleday.
Hebdige, D. (1979). Subculture: The Meaning of Style. Routledge.
Huntington, H. (2017). The Affect and Effect of Internet Memes: Assessing Perceptions and Influence of Online User-Generated Political Discourse as Media. Doctoral dissertation, University of Colorado Boulder.
Izadpanah, M. & Montazerolghaem, M. (2019). “The application of stickers in the social relationships of family groups on Telegram”. New Media Studies. 5(2): 37-64. https://www.noormags.ir/view/fa/articlepage/1403000. [in Persian]
Jenkins, H.; Ford, S. & Green, J. (2013). Spreadable Media: Creating Value and Meaning in a Networked Culture. New York University Press.
Kress, G. & van Leeuwen, T. (2006). Reading Images: The Grammar of Visual Design. 2nd ed. Routledge.
Lestari, W. (2018). “Irony analysis of memes on Instagram social media”. Pioneer: Journal of Language and Literature. 10(2): 114-123. https://doi.org/10.36841/pioneer.v10i2.192.
Marx, T.; Michalowicz, H. & Hupp, J. (2022). “Effects of TikTok on discovery, use, and taste of music in adolescents”. Conference presentation in TikTok–Music–Cultures: Perspectives on the Study of Musicking Practices on and through TikTok, IASPM D-A-CH Conference, Vienna, Austria.
Nasrollahi, M. & Badinfekr, M. J. (2019). “Cultural-communicative semiotics of emoji in social messengers, studied case family culture, sexual culture and body language culture”. New Media Studies. 5(17): 71-105. https://doi.org/10.22054/nms.2019.34639.552.
Pratiwi, A. (2022). “Sarkasme pada meme di media sosial Instagram”. Geram: Gerakan Aktif Menulis. 10(1): 10-17. https://doi.org/10.25299/geram.2022.vol10(1).9360.
Purwaningrum, P.; Saifullah, A. & Sudana, D. (2020). “COVID-19 memes in social media Instagram: Semiotics-pragmatics studies”. In Proceedings of the International Conference on Language, Literature, and Education (ICLLE 2020) (Vol. 546: 414–421). https://doi.org/10.2991/assehr.k.210427.063.
Rawi, A. (2020). “Kekistanis and the meme war on social media”. The Journal of Intelligence, Conflict, and Warfare. 3(1): 13. https://doi.org/10.21810/jicw.v3i1.2360.
Roth, R.; Ajithkumar, P.; Natarajan, G.; Achuthan, K.; Moon, P.; Zinzow, H. & Chalil Madathil, K. (2021). “A study of adolescents’ and young adults’ TikTok challenge participation in South India”. Human Factors in Healthcare. 1. https://doi.org/10.1016/j.hfh.2022.100005.
Shifman, L. (2014). Memes in Digital Culture. MIT Press.
Tanjung, S. (2024). “Memes and constructions of TikTok culture in #DontPlayPlayBosku”. Studies in Media and Communication. 12(3): 36-49. https://doi.org/10.11114/smc.v12i3.6842.
Tarisayi, K.S. (2022). “Using TikTok, memes, and YouTube in the geography classroom”. The Journal of Geography Education in Africa. 5(1): 125-146. https://doi.org/10.46622/jogea.v5i1.3977.
Vizcaíno-Verdú, A. & Abidin, C. (2021). “Cross-cultural storytelling approaches in TikTok’s music challenges”. AoIR Selected Papers of Internet Research. https://doi.org/10.5210/spir.v2021i0.12260.
Vizcaíno-Verdú, A. & Aguaded, I. (2022). “#ThisIsMeChallenge and music for empowerment of marginalized groups on TikTok”. Media and Communication. 10(1): 157-172. https://doi.org/10.17645/mac.v10i1.4715.
Yang, Y. & Zilberg, I.E. (2020). Understanding Young Adults’ TikTok Usage. Undergraduate honors thesis, University of California, San Diego.

Articles in Press, Accepted Manuscript
Available Online from 13 September 2026

  • Receive Date 04 August 2026
  • Revise Date 19 August 2026
  • Accept Date 02 September 2026
  • First Publish Date 13 September 2026
  • Publish Date 13 September 2026